(Originally written for LDS Publisher as WiDo’s final contribution before LDSP closed her website, this article by our managing editor captures the essence of what drives WiDo Publishing.)
One of the hallmarks of the Renaissance of the 15th century was that new voices were heard in the areas of art, literature, religion and basically all aspects of cultural life, touching and influencing thought from the highest levels of power down to the lowest, allowing the common man to finally realize his potential. William Tyndale, who translated the Bible to English, was key in this transformation. He captures its essence in these few powerful words to a noted clergyman: “If God spares my life, ere many years, I will cause the boy that driveth the plow to know more of the Scriptures than thou dost!”
For the past five decades, the publishing industry, represented by what is commonly known as “the Big Six,” have been the ones controlling what books were available in bookstores and libraries. When the offerings were the best literary voices of our time, nobody complained; but when it veered to commercial garbage that sold in huge numbers (think Harold Robbins, Jacqueline Susann and their copycats), then thoughtful readers wondered where all the good books had gone.
Small niche companies emerged to offer books not available through the large publishers. The self-publishing movement is often seen as a backlash, not only to the power held for so long by the big publishers, but also to these small independents with their choosy submission guidelines. By self-publishing, you can write what you want, how you want, publish it immediately, and avoid the gatekeepers altogether. This movement is quite accurately referred to as the “self-publishing revolution” because its proponents are revolting against all the old rules of publishing.
Although William Tyndale revolted against the rules of the Pope in his day, and subsequently gave his life for his principles, I believe his role was more Renaissance than Revolution. The word renaissance means “rebirth,” the word revolution according to Wikipedia is “from the Latin revolutio, a ‘turn around’, a fundamental change in power or organizational structures that takes place in a relatively short period of time.” The Renaissance took centuries, a revolution happens quickly.
There’s no doubt that a publishing revolution has occurred, and it has been a very exciting time indeed. However, I’d like to see writers and publishers use these opportunities to create a literary renaissance, not just a publishing revolution. How to do that?
Think of men like Leonardo da Vinci, Sandro Botticelli, and Michelangelo Buonarroti. Were they simply revolting against the status quo, or were they contributing knowledge and truth through the medium of their art? Scientists like Copernicus and Galileo Galilei were first and foremost seekers of truth in scientific knowledge and methods. Religious leaders such as Tyndale, along with Thomas More, Martin Luther, and John Calvin fit into the same category—not simply part of a revolution but because of their devotion to truth and the good of mankind, were part of something much more than a tirade against the Pope or the Church of England.
Millions of books are now available that could never have made it through the gatekeepers of old. To name just a few types: poorly written, barely edited “novels” written fast and published even faster; 10 or 20 page ebook summaries using widely searched keywords, like how to simplify one’s life or write a Kindle bestseller; erotica, basically pornography masquerading as romance for women.
In other words, if you can write it you can publish it; whether it’s any good or contributes to the literary culture is beside the point. The focus is on the selling rather than on the writing. Really, how is this any different than the era of The Valley of the Dolls? The publishers may have changed names from the Big 6 to one million ebook writers, but if the focus remains on churning out stuff for the mass market, where is the revolution? It’s just a whole lot of people now trying to get in on the action. What the self-publishing revolution has done for writers is what the state lotteries did for gambling. Remember when people had to go to Vegas to gamble? Talk about the old days! Now you can go to your corner convenience store, buy a lotto ticket and hope to win big.
As writers, why not turn this revolution into a renaissance? Writers must contribute to the literary culture, not just churn out stuff as quick as we can. We must write stories that are true, with characters who are “real,” using language that transcends common everyday speech. Let’s write books that, using the very best of our skills, polished and practiced, will carry our readers to a greater plane of understanding as we enlighten and entertain.
It’s time for writers and publishers who care about books to contribute to a re-birth of literary excellence. Opportunities abound. Let us take advantage of the many ways to make our voices heard as we do our best work, write meaningfully and well, and become part of a new renaissance in literature.
About Karen Jones Gowen:
Born and raised in central Illinois, the daughter of a Methodist minister from Indiana and a school teacher from Nebraska, Karen Jones Gowen has down-to-earth Midwestern roots. Karen and her husband Bruce have lived in Utah, Illinois, California and Washington, currently residing near Salt Lake City. They are the parents of ten children. Not surprisingly, family relationships are a recurring theme in Gowen’s writing. She is the managing editor for WiDo Publishing and the author of five books. Karen’s website: karenjonesgowen.com.